Shop time has been limited, yet nonzero, in the last couple of weeks. Other than a bunch of cleaning up down there (which has gotten much easier as I find better ways to organize), I finally set out something to do about the plane that I use for shooting. I’ve been using a low-angle block plane for a while, but have wanted to try out something with a little more heft.
While doing some of the aforementioned cleaning, I came across a Millers Falls No. 18 (Stanley #6 equivalent) that I bought years ago but never did anything with. The sides were already nicely square to the sole, so I decided that maybe I could try it out with the shooting board.
It was was fairly rusty and completely filthy. A couple of hours spread over a few days with rust remover dealt with that. The iron was badly pitted, so I dug out a Hock replacement that I had on hand. And so somewhat surprisingly, everything went together fairly quickly today:
No one’s going to mistake this thing for a completely restored plane, of course. And it may not be one of those neat specialized planes with the low-angle skewed blade, but it has the advantage of being available for service right now. We’ll see how it goes.
With a decade and a half on this blog’s odometer, I got to wondering if I really have any more of a clue now than I did 15 years ago. Recall that I started this blog when I started woodworking.
Then asked a question that felt odd: How much does having a “clue” actually matter?
And how do we define “clue?” Through some way or another, I have managed to build a bunch of stuff for the house. It gets done, but I’m not very quick at it. By contrast, many of the publications that we read about woodworking are written by or influenced by professionals. It’s natural, when reading Nancy Hiller’s work, to feel a bit discouraged when she writes of the pace that keeps her business going.
But I thought of something: Hey, wait, I’m a hobbyist woodworker. This is not my day job. I don’t want it to be.
Perhaps there are advantages to that. Maybe there are more options available and there isn’t much point to emulating a professional if it makes no sense. Sure, you want your dovetails to fit and everything, but here’s something to ponder: You actually have the option to do hand-cut dovetails on your own work; you can make those mortise-and-tenon joints the way you want to. A professional may not have these options if the budget does not suit the project.
And if you screw up, you can always just go back to the drawing board.
Then there are techniques and equipment. Professionals almost universally use jointer machines to flatten their boards. They have to in order to survive. But I used hand planes for years; I didn’t have the space for any machines at first. Then I took my time and designed a planer sled that might actually be worthwhile. Though I don’t think the sled is particularly suited for the professional (except for wider stock, maybe), it’s been great for me, the hobbyist. I have different constraints: I want to keep the size and number of machines in my shop to a (bare) minimum, I’d like something a bit safer than a jointer, and I don’t mind a minute or two extra setup time.
This does not, however, mean that you need to be a Frank Sinatra. We’re fortunate to have a lot of good instructional material that shows plenty of traditional and “contemporary” ways of doing stuff. Deviating wildly from standard practice might not yield the results that you want.
Or be a Frank Sinatra if you like; it won’t make any difference to me unless you show up on my doorstep and start crooning.
Being Shopless and “The Lifestyle Question”
A related advantage to being a hobbyist is that you can put it down if necessary, or if you just want to take a break. Before moving to my current digs, I spent a few years in places that had inadequate or otherwise nonexistent shop space (yes, even worse than the apartment in San Francisco). To tell the truth, I wasn’t thinking much about woodworking then. I knew that I couldn’t set up my shop, so my mind moved to other things, such as bicycling.
But the woodworking experience, being able to make my own stuff, did change my perspective on certain lifestyle choices. During one of these shopless times, I wasn’t able to find a cycling cap that fit me correctly. I started to wonder if I could make my own, and, well, it turns out that you can. I decided see if I could learn to sew, because SHMBO had a sewing machine that she’d never even opened the box of.
And boom, just like that, I was off on another crazy craft before I knew it. But I digress.
OK, So, Do I Have More of a Clue Now?
I think it’s safe to say that I’ve learned a thing or two about woodworking in the past 15 years. Really, maybe just one or two things. I still consider myself fairly clueless, and there’s a fairly simple reason. I don’t talk about it much here, but I am a victim of grad school. One thing you learn there (at least if you’re paying attention, which admittedly has never been my strong suit) is how much you don’t know. Even in a field as new as computer science, the amount of related knowledge is so vast that it boggles the mind.
It seems that every day, I learn about some kind of woodworking that I’ve never touched, such as the crazy Hakone yosegi-zaiku marquetry, and that I’ll likely never get to try. I don’t know what to make of this.
About Those Videos
I have a few videos out now. I made the first one because I had to teach something (unrelated to woodworking) and wanted to practice presentation after nearly two decades of hiding. The second came along because I wanted a way to share the planer sled design outside of this blog. The most recent… eh, I dunno, I just had the idea, wrote it up, and made it.
This is likely not going to become much of a habit. Videos are extremely time-consuming to produce, and offer little in return. I don’t currently make anything from them, and even if I did manage to get enough subscribers to monetize, it wouldn’t generate much. I’m not a performer, no Roy Underhill, no Nick Offerman. At best, words stumble off my tongue and litter the floor. I could probably train it, but I probably don’t want to. And that is OK.
I have a lot of furniture projects lined up that are in the same spirit of past projects. Part of that means frame-construction pieces, sometimes with drawers. But I’ve also been doing some stuff with staked construction lately. I fuss over these things way too much, but I’ve also gotten a little more confident with it. My end goal in that area is to make stick chairs. I’ve been fascinated with them for a while, how they manage to hold together despite using joints that really ought to be dodgy.
What I eventually want to do with stick chairs is explore the aesthetics a bit more. I came late to this. When I first saw Windsor chairs, I didn’t like them much. The construction is kind of neat, but there’s just something about the lines (and excess ornamentation) that I have never cared for. I never saw a Welsh stick chair until popularized by a C.S., though, and I have to admit that seeing those really changed my mind about stick chairs. I’m not sure if I’m a huge fan of the way that most of those look, but there’s a flexibility there that makes me think that it’s worth a shot.
And that about sums it up, until I change my mind again.